‘Zama’s Lucrecia Martel on Netflix, AI and the Collapse of Planet Earth

In a Masterclass that filled a 600-seat auditorium at the Bogotá Audiovisual Market (BAM), Argentina’s Lucrecia Martel (“La Cienaga,” “Zama”) stood for an hour, despite using a cane. “I look more like a shepherd angel than a filmmaker,” she quipped, adding that she was in the middle of a shoot but couldn’t resist BAM’s invitation. […]