‘The Fence’ Review: Matt Dillon and Isaach de Bankolé Face Off in Claire Denis’s Stagy but Striking Return to West Africa

The fence of the title isn’t a terribly imposing one: a utilitarian, standard-issue wire border, easy bent or broken down, and affording no protection from outside eyes. But it’s the heaviest symbol of many in Claire Denis’s stripped-back, forthright new film, a barrier between haves and have-nots that proves as fixed and obdurate as the […]