Basque cinema is punching above its weight at San Sebastián, with 75% of Spanish competition titles fully or partially Basque, underscoring how regional industries, once seen as peripheral, are increasingly shaping Spain’s national film landscape. Two flagships — José Mari Goenaga and Aitor Arregi’s “Maspalomas” and Asier Altuna’s “Karmele” — exemplify the strategies of their producers, Xabi […]