‘Anemone’ Review: Daniel Day-Lewis Returns to the Big Screen in a Glum Piece of Art-House Inertia Directed by His Son

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The character’s name is Ray, and he’s lugging around a couple of Big Secrets — though as the film starts to shade in his identity, you may think his principal secret is that in a past life he was at the center of a middling '90s art-house film produced by Miramax.

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‘Anemone’ Review: Daniel Day-Lewis Returns to the Big Screen in a Glum Piece of Art-House Inertia Directed by His Son

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